![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhcYV_GurWxE9yDX0so3V2xaVYL3AdeY2JLm1uT0adu0h1S88niThZiZ8IohAZE1xIirWsfNCzCbUjBalXwajV0ic5qqMH1YibA_4WmcGS_Ob26MAZJzclQ3OFPbs2PusaxCb8uq75f1ORQQHXqiU3JqJTbfbDAdv9J-8-tvVAzaMAI6sa4ybQa-gLKEA/s320/Screenshot_20220623-090951.png)
WRITTEN BY: Regula Rebel
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The many refix jumps on Shatta Wale's "On God" track have introduced a lot of upcoming artistes to the Shatta Movement fans and beyond that nucleus, yet the most jumpers are male artistes ---- talking of gender count, but Ruki's top-a-top refix has made a double impact by breaking into the male dominance as one of the fine pieces and taking the female lead in the refix bevy pack.
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Dubbed "Mugan Su", an Hausa phrase that translates in English as "We See Them", Ruki's "On God" refix won't only be a popular Zongo anthem that will circulate in most Muslim communities, but it will also make it to many a reggae-dancehall DJ's non-patois playlist to serve their audience a linguistic wow.
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One Family Yard, the record label behind Ruki's musical operations, has been giving Ruki better firm stakes from day one --- probably with the steady intent to make her occupy the number female spot in Ghana's reggae-dancehall record or better still position her in a rank where she robs shoulders with top ranking males in a serious competitive friction as far good music and standard stage craft go.
Ruki might have stepped into the "On God" refix rush this skillful to capitalize and leverage ---- a smart move that will surely scoop into her fanbase many more new fans home and abroad off Shatta Wale's brand's springboard.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQ5Gh_ChVtfhGbZCNgPsb2rfKY1hgqv5Fr7MEpbTzG81Ypm-r0Gg0dhQiuo9Fgsan_hzNjy8BhZuU0ta8O9oqI9yhUueZpWdbAxcW4qC7OinZJHN42k6O1FBc2m79bM9HcQXGHzi7fqxvvW4cavgh9bpjTGh1n7c50dQaO3UWJ8MjBszQpSJAcksaA1A/s320/FB_IMG_1650790210819.jpg)
.... PUBLISHED on 23 June, 2022.
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